Are in-ear monitors worth the money?

Shure in-ear monitors

Howdy. This week I’m going to look for a Presonus Audiobox + Condenser Rode NT1 (Tell me what you think of this microphone that I’m still on time, some loved it, others see it very shiny … do not compare with an AKG 414 or a Rode multicurve tube …). The thing is that I have $1500 left over (I stretch to $2000 maybe) and I would like to buy a couple of monitors….

I started with an aiwa hi fi equipment, it was what I had, obviously everything I did sounded pretty bad, thanks to the fact that a hi fi equipment is not prepared to reproduce all frequencies faithfully, but to make everything sound nice and fat, that makes that for example this over inflated bass (VERY) but not deep bass but in 200k so what is below that you will not hear it, because it is masked, and that happens in several frequencies.

I continued with the edifier RT1900 V2, the change was remarkable, but they are not the best for mixing or recording, the R1000 are better in my opinion, to listen to music every day I use the RT1900, but only because they sound “nicer”, the R1000 sound with less body but much clearer, and in practice I did better mixes with the R1000 than with the others, thanks to that.

How are in-ear monitors used?

They consist of a receiver (pocket), where the audio signal arrives, either via cable or radio frequency waves, and one or two headphones that reproduce the mix sent to the artist’s ear, connected to each other (receiver and headphones) by means of a cable.

What size studio monitor is recommended?

The size of the monitor

So if our studio is located in a small room we will choose 5 or 6 inch monitors. While if we are lucky enough to be able to work in a large workspace we can acquire a pair of 8-inch monitors.

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What do singers have in their ears?

They are called in-ear monitors or In-Ear systems, and are tools used by artists and musicians to obtain an auditory reference of a mix of sounds from microphones or instruments on stage in a live performance or recording studio, ambient sound or music …

Professional studio monitors

This point tells us what frequencies the hearing aids can reproduce. The theoretical range that a healthy ear can hear is from 20 Hz to 20 kHz. Ideally, a hearing aid should be able to generate sounds within that range or more.

In the case of professional hearing aids, ranges can go from 25 Hz to 17 kHz and up to ranges of 15 Hz to 20 kHz. On the other hand, home-made hearing aids can reach ranges from 25 or 30 Hz, but hardly above 15 kHz.

This is an electrical parameter that indicates the opposition to the current presented by the hearing aid. The most important thing here is to make sure that the headphones are in the impedance range required by the amplifier to which we are connecting them (headphone output).

In this sense, headphones with impedance between 8 and 20 ohms are adequate. Most headphones, both home and personal monitor headphones comply with these characteristics, so in this section there are no important differences.

What do In-Ears do?

What are in-ear monitors? The in-ears system is a monitoring system especially used in the world of music, in different live performances. It is an excellent way to isolate the different tracks or elements that you want to hear and to do it in real time.

How do studio monitors work?

A studio monitor is characterized by a transparent reproduction of the audio signal, i.e. a flat, unaltered and uncolored response.

What are monitor speakers?

The monitors are created to reproduce a frequency that we would call flat (no color) which allows audio professionals to edit the music or sound during recording or mixing, since the speakers do not distort or change the sound in a particular way.

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Ear monitor for singers

Whether you’re a seasoned pro or just starting out, monitors are an important part of your studio setup and can make or break the quality of your mixes. Check out the articles below for tips and tricks on setting up and using studio monitors.

Why should you need instructions for setting up reference monitors? Just put them on the mixing desk, and that’s it, right? The thing is, reference monitors are actually one of the most important and influential elements of your studio, and they can really make or break the performance of your overall setup. It’s not that you should spend a lot of money on them; with a good understanding of the basics of monitoring and a little experimentation, you can put together an accurate system on any budget.

It can be very frustrating to spend hours working non-stop to get the perfect mix… only to discover that it sounds horrible in your car, in your living room, or in another studio. A good monitoring system can prevent this by helping you produce mixes that are clear, balanced, and sound great on a wide range of speaker systems. Let’s discuss the most important points to consider when choosing and setting up monitors for your studio. This information will help you make informed purchasing decisions and, most importantly, you can achieve a professional reference standard that will enhance your artistic endeavors.

What are passive monitors?

Passive monitors are small devices that allow the collection of vapors without the need for personal sampling pumps. The individual chemical in the atmosphere to be sampled simply diffuses into the monitor through the pores.

What are in ear?

The in-ear (or intra-aural), are those that are inserted into the ear; the on-ear (or supra-aural), which rest on the ear but do not cover it completely and the over-ear (or circumaural), are also headband, but completely cover the ear, isolating it from outside noise.

How to place the speakers in a room?

The side speakers should be at the ideal height. The front left and right channel should form an equilateral triangle with the viewer, as if they were a 2.1 system. The rear speakers should be at 20º and behind the viewer, which will make them a little closer to the walls.

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Stage Audio Monitors

NOTE: there is already an article by MrLndr about this kind of systems that precisely narrates a whole process of purchases and more purchases that he went through until he reached a definitive solution. You can read it here.

I recommend not to invest too much money in this, because I don’t think you will appreciate the difference. So I have always opted for the Behringer ULTRALINK MS8000, very cheap and simple. To cover the 16 channels, we should install two units. They are around 65 € per unit, so about 130 € for both.

I have seen some band with “Y” cables, but I don’t find it practical. The splitter cables are “crimped”, the technician will see them clearly and they can be perfectly labeled so that anyone who does not know the equipment knows what they are doing at first glance. In addition, it is possibly a more economical option.

Within a budget range and within the band I indicate, I would recommend the LD Systems MEI 1000 G2. I have seen it work well in very difficult environments and even bands of a certain level take them on quite long tours. It costs about 275 €.